
Some readers are deeply suspicious of historical fiction. They say that by its nature it’s misleading. But I argue that a reader knows the nature of the contract.
When you choose a novel to tell you about the past, you are putting in brackets the historical accounts – which may or may not agree with each other – and actively requesting a subjective interpretation. You are not buying a replica, or even a faithful photographic reproduction – you are buying a painting with the brush strokes left in.
To the historian, the reader says, “Take this document, object, person – tell me what it means.” To the novelist he says, “Now tell me what else it means.”
Hilary Mantel
The Guardian June 2017
I’m running a free writing workshop on historical and period fiction in September. Find out more HERE